We are having such fun preparing for the Fall Needlework Market in August. With a break from book writing and projects, we've had time to focus on some reproductions, and it looks like we'll have five samplers and two original designs for the show in St. Charles. As projects near completion, we start asking: How are we going to finish this? Hemstitch like the original? Frame? If it's small...pin pillow? Stand-up?
Collaborating with artist Nancy Mills to bring you “Sweet Land” was a true delight! Back in February, her daily doodle on notebook paper (at left) was a charming pencil sketch that just begged to be repurposed as a cross stitch chart. Its free-flowing lines and casual playfulness expressed a bit of whimsy while capturing a sense of pride in our “sweet land of liberty.” Check out her talented and creative multi-media work at Five Times Blessed on both Etsy and Facebook.
These simple images from an old sampler (we promise to have it charted, stitched and available before Mother's Day 2015) bring to mind the words from a poem by Elizabeth Chase Akers Allen (1832-1911). It is one of Vickie's favorite poems about motherhood. Although she first heard the words as the lyrics to a folk song recorded in the 1990's, they were first set to music in 1862, and remained especially popular during the Civil War.
Well, we can't deliver a May Day basket in person, but we wanted to post this image from an old sampler with best wishes for a beautiful month! --Maegan & Vickie
We were out trimming trees the other day when I noticed a vine winding its way along a Palo Verde tree. The leaves were so evenly spaced, alternating angles every-other leaf...so orderly, so border-like. So, I snapped a photo and came in to see if any of our antique samplers had a leafy pattern similar to the creeping fig vine. While I wasn't successful in finding a monochrome border, I did nab a few that illustrate the harmony that borders can create.
Sorry it took a while to get these photos loaded. Thanks to Mary McCallester, we have our beloved cow next to a tidy little bee skep atop a large pasture. Problem is, those bees decided to make our homes their homes a week or so back! Pesky critters set up shop in the wall between the outside slump block and the drywall at Maegan's house and in the block wall of Vickie's house. We sure prefer they stay tucked inside their official skeps or hives.
First up is AH 1837, the alphabet sampler in the background.Its array of varied alphabets will make it a terrific resource for your stitching stash. Although the original was wool on canvas, we opted for overdyed cottons on linen. Next off the drawing board and into our hoop is this Mexican band sampler. Although unnamed an undated, its vibrant colors and delightful borders begged to be charted and stitched in silks that closely resemble the original fibers.
A week or so ago we introduced the over-two, framed version of "Hippity Hop" to welcome the first day of Spring. Now that April 1 is here, the over-one version makes his debut, stacked atop some old books while visiting with a pair of vintage porcelain bunnies. We fashioned this version into a sort of pin mattress and tacked an array of buttons along all four sides. The chart includes a photo of the 1905 hand-drawn Easter greeting that inspired the project.
Quite often, our posts are shared news of new projects we are excited to show you. This time, though, it's Vickie writing from her grandmotherly perspective. Sad. That's how I felt as I moved the Shaker sewing case back into place, carefully stacking the old spectacles atop several antique autograph albums. You see, they all live harmoniously on a glass-top table next to the fireplace in our usually serene living room.
Several years ago we found a simplt, little handmae Easter greeting from 1905. Tucked away in a dusty corner of an antiques booth, it begged to be recreated as a cross stitch chart to greet Spring. This is the over-two version, using Weeks Dye Works fabric and fibers. We added a tulip and perked up one of the bunny ears in adapting the pastel design that was bordered by decorative stitching.